Play Along Piano

Tags

Baroque

Baroque Again

Howard Bosler

3:31	Est. Play Time
45	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		29	1	5	5	100%
		22	3	3	5	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		29	1	5	5	100%
		22	3	3	5	100%

Adagio in G Major - J. S. Bach, BWV 968

Musemeister

3:24	Est. Play Time
46	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord		25	42	9	10	99%
		38	2	17	8	83%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord		25	42	9	10	99%
		38	2	17	8	83%

HWV1A2N28 - Ob dein Mund wie Plutons Rachen

edward.maurath

5:23	Est. Play Time
49	Measures
	1,182Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bassoon Continuo	18	0	4	3	96%
Oboe 1	16	0	3	6	95%
View all 11 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bassoon Continuo	18	0	4	3	96%
Oboe 1	16	0	3	6	95%
Cembalo Continuo	15	20	4	6	77%
	20	2	4	3	89%
Oboe 2	15	0	3	5	89%
Viola	15	0	0	3	80%
Violin 1	19	0	1	6	80%
Violoncello Continuo	15	0	1	3	80%
Violone Continuo	15	0	1	3	80%
Violin 2	18	0	2	5	77%
Tenor as Fernando	15	0	4	8	55%

Canon Pipe Organ

Classical Music Central

3:46	Est. Play Time
53	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
8' Clarinet	17	12	0	6	94%
	19	24	2	6	100%
View all 8 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
8' Clarinet	17	12	0	6	94%
	19	24	2	6	100%
8' Diapason	19	24	2	6	100%
	17	12	0	6	94%
16' Diapason	7	0	0	1	85%
16' String	6	0	0	1	85%
8' Crescendo	14	5	2	5	28%
	14	2	1	4	25%

French Suite V: Gigue

rdr713

3:42	Est. Play Time
58	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		26	2	8	5	94%
		27	0	7	3	91%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		26	2	8	5	94%
		27	0	7	3	91%

HWV19A3N22 - Rodelinda, "Mio caro bene!"

edward.maurath

5:29	Est. Play Time
58	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	21	86	6	9	100%
	22	37	5	6	99%
View all 10 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	21	86	6	9	100%
	22	37	5	6	99%
Violoncello Continuo	17	2	1	3	86%
Violins	15	0	2	8	73%
Rodelinda	13	0	3	5	68%
Contrabasses	14	0	0	3	60%
Violincello Continuo	14	0	0	3	60%
Violas	13	0	2	5	55%
Bassoon Continuo	14	0	0	3	15%
Oboe	10	0	0	6	14%

Aria POMERANIAE from Harp of Orpheus

Piotr Tomasz Harasimiuk

4:52	Est. Play Time
48	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo		16	0	1	6	94%
		14	2	0	5	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo		16	0	1	6	94%
		14	2	0	5	100%

HWV61A2N46 - Regard, O son, my flowing tears

edward.maurath

6:48	Est. Play Time
41	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsi	22	58	7	7	99%
	33	57	13	8	99%
View all 7 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsi	22	58	7	7	99%
	33	57	13	8	99%
Cello	23	0	7	10	98%
NITOCRIS	16	0	6	9	76%
Violin	23	2	9	9	71%
Violoncellos	17	0	5	9	69%
Violone	17	0	5	9	69%

Frescobaldi: "Toccata cromaticha per l'Elevatione" (1635)

SpaceGuru5

6:20	Est. Play Time
53	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Pipe Organ	21	0	8	6	91%
	21	0	8	6	91%
View all 9 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Pipe Organ	21	0	8	6	91%
	21	0	8	6	91%
	21	0	8	6	91%
	22	0	8	6	92%
	22	0	8	6	92%
	10	1	1	5	15%
	10	1	1	5	15%
	22	0	8	6	92%
	10	1	1	5	15%

Frescobaldi: "Recercar con obligo di cantare la quinta parte senza toccarla" (1635)

SpaceGuru5

4:37	Est. Play Time
59	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Pipe Organ	15	0	2	6	88%
	6	2	0	1	5%
View all 5 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Pipe Organ	15	0	2	6	88%
	6	2	0	1	5%
	19	0	5	6	82%
	6	2	0	1	5%
Tenor	4	0	0	4	42%

BWV245N10 - Derselbige Jünger war dem Hohenpriester bekannt

edward.maurath

3:31	Est. Play Time
46	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello Continuo	14	0	5	6	100%
Cembalo Continuo	19	45	7	7	70%
View all 8 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello Continuo	14	0	5	6	100%
Cembalo Continuo	19	45	7	7	70%
	16	2	6	6	70%
Evangelista	17	0	6	5	65%
Ancilla Petrus Jesus	24	0	8	4	43%
Organo Continuo	14	20	6	5	37%
	11	0	2	4	37%
Servus	6	0	3	2	7%

Frescobaldi: "Canzon quarti toni dopo il post Comune" (1635)

SpaceGuru5

4:41	Est. Play Time
58	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Pipe Organ	19	0	5	9	89%
	18	0	3	9	89%
	11	1	0	7	24%

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Pipe Organ	19	0	5	9	89%
	18	0	3	9	89%
	11	1	0	7	24%

"Nasce il sol, e l'aura vola ride" from "Rodrigo," HWV 5 (1707)

edward.maurath

3:49	Est. Play Time
51	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violins 1	18	0	3	4	84%
Violins 2	17	2	4	4	84%
View all 10 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violins 1	18	0	3	4	84%
Violins 2	17	2	4	4	84%
Flute	15	0	3	4	75%
	17	2	3	4	75%
Esilena	16	0	6	4	71%
Cembalo (Continuo)	22	37	7	5	63%
	21	28	6	5	63%
Violoncello (Continuo)	18	0	3	5	63%
Contrabasses	14	0	0	5	43%
Violoncellos (Continuo)	14	0	0	5	43%

"Il vostro maggio," from "Rinaldo," HWV 7

edward.maurath

3:46	Est. Play Time
46	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	21	12	7	7	99%
	22	2	3	4	100%
View all 9 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	21	12	7	7	99%
	22	2	3	4	100%
Contrabasses	14	0	1	4	100%
Viola	12	0	2	5	100%
Violins 1	16	0	5	7	100%
Violins 2	12	0	2	5	100%
Violoncello	14	0	1	4	100%
Violoncellos	14	0	1	4	100%
Soprani	15	0	5	6	75%

Lament not thus, O Queen, in vain, from HWV 61, (1744)

edward.maurath

4:49	Est. Play Time
56	Measures
	1,157Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	20	57	4	6	91%
	25	104	5	6	100%
View all 7 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	20	57	4	6	91%
	25	104	5	6	100%
Violoncello Continuo	21	0	4	5	98%
Daniel	12	1	3	5	84%
Double Bassi	16	0	1	5	41%
Violin	16	2	2	6	41%
Violoncelli	16	0	1	5	41%